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What should I do? I’ll go and mow the lawns and then I’ll do this, and then I’ll do my voice jobs.” This means you’d nailed down to a time a place, which can be a good thing as well because it’s kind of like a bit of discipline. So it’s lovely having gigs where you’re like, “I’ve got three voiceover jobs today. Some of the cons though is that you do have to be nailed down to a time and a place. So those are some of the pros for doing a connected session. You can just send them the whole session and they’re like, we’ll take the takes.
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And also another pro is that depending on what software you use and how you’ve got it with your client, no editing is necessary sometimes. On the client end, you get to meet the studio engineer often and build a rapport with them.Īnd they are sometimes the guys that are actually, they know all the voices and sometimes the clients ask them who should I use for this? So it’s good to build up a good relationship with an engineer. You also get a rapport if it’s being conducted at a studio. That’s another really good pro of this is that you get to meet your client and talk to them about what the weather is and how it’s all going with them, which is really good for future work as well, because you get a sort of sense to each other, whereas if it’s just email, that’s kind of cold.
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This is particularly the case for very technical reads or quite long reads, because if there’s any sort of curly words that the client has in there, then they’re going to be able to tell you exactly how to read those. If you do the recordings on your own, often you’re doing three takes and they’re choosing the best ones and you’re having to edit three takes, but whereas if you’re in the actual session itself, then you can get them to sign it off as you go. The pros being that it can actually take less time as a talent because you’re getting sign-off as you go along. There are pros and cons to having this, to doing a live directed session. So a live directed session is basically where you have the client or the decision-maker who is actually listening in on the line and they can provide as it is, live directed feedback so that if you say something slightly wrong or they want a slightly different inflection, then they can ask for that in the session.
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So if you don’t mind, maybe just give us a little bit of a glimpse into why we would even need to have one of these sessions and what they are. So much has changed for so many people who are listening to this right now, right?Īnd so I would just love it, Toby if you could walk us through the basics of a live directed session and just also share with us like the differences between having one of those or not having one. So that maybe for a future time we can talk about just that particular one.īut today, I think because you have just so much experience in this whole directive session avenue, being where you are, being so remote as I had mentioned a bit earlier, you actually… Not much has changed for you as you had said to me just before we started about your process, but that being the case. Whichever that means, right? I know that you also have an accent and I’ll just harken back to it before we jump right into our main topic, that is like the accent from Nowhere. I think we’ll just stick with your normal kiwi today. I know there’s a British accent, the American. Well, you do specialize in New Zealand, Australian. Which accent would you like me to use today? And let alone that, but you’re an internationally award-winning talent.
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You’ve been with us for 10 years at almost in October. There’s NatGeo which I think a lot of us are probably at home watching some streaming service and have likely come across your work in the last little while. Some of your clients, Toby have been Spotify, Microsoft, Samsung, Walmart, Google. So be sure to go back and listen to that. He did an excellent episode with us that was about accents. And if you tune in to our show, you know that Toby has already been on Mission Audition. They don’t necessarily know what other options there are for doing a remote session, but before we get too much into that, I just like to introduce Toby again to you. So a lot of people have participated in these. So Toby and I are here, and we’re just going to talk today about remote directed recording sessions. It’s first thing in the morning, actually. I don’t know what time it is there, but I’m sure it’s not dinner. But today, I’m recording with Toby Ricketts. No one is in the regular office right now. Here is a transcript of the Mission Audition podcast: